Image credit: © Daniil Korbut

I have been asked: which museums should you see in London if you are only visiting for a weekend? And while I love art, visiting more than one museum per day can make it difficult to fully absorb and appreciate what you have seen. There are a lot of great museums in London. How to narrow it down to just two? Well, for one, the British Museum is tainted for many due to its colonialist foundations and attitudes. Much of the collection originates from other cultures, and there have been refusals from the museum to return many of the pieces to their original lands. Its mission seems out of touch with the rising social awareness of our post-imperial world. So, that museum is off the list. What’s left? My two favorite museums are quite disparate—in architecture, chronology, and overall mission—but together they provide a uniquely encompassing experience.

National Gallery

Regarding the most respected and established art museums, it’s usually between the National Gallery and the Tate Britain. I believe the National Gallery’s classical offerings and stunnng architecture make it the ultimate time-honored museum of London. The Tate Britain (with British art going back to the 1500s) heavily features J.M.W. Turner paintings—a significant figure in British art history and deserving of acclaim—but the National Gallery does a better job of displaying a more comprehensive history of European art (from the 13th century to 1900). You could say it’s what the Musée du Louvre is to Paris or what the Metropolitan Museum of Art is to New York.

Firstly, it is located on the iconic Trafalgar Square, an immediate sign of prominence. The building is Parthenon-like and sits atop the massive square’s steps. The interior is just as impressive. There are unique rooms including marble columns, massive archways, and paintings arranged in salon-like fashion.

The museum’s collection features over 2300 paintings, which range from the Renaissance to Post-Impressionism. The 15th century art was among my favorites, including artists such as Jan Van Eyck and Sandro Botticelli. If you studied art history, you will observe a handful of works probably included in some of your exams.

An important critique: the National Gallery needs more women artists. There are only 21 paintings by women in the entire collection, which is problematic for so many reasons. The museum began the hashtag #paintingherstory to tell the stories of the women featured in the museum’s collection, and acknowledge their contributions to art history. The initiative is great, but hopefully this results in measurable change, with more women featured in the permanent collection.

Tate Modern

My absolute favorite museum in the city. It may be my partiality for modern and contemporary art, but I feel that the Tate Modern is the most exciting and progressive major museum in London. It’s the contemporary counterpart to the Tate Britain, featuring international works from 1900 to the present-day.

The museum overlooks the River Thames and is a converted power station—hence its brick and steel exterior, giant chimney, and blocky stature. The building features a turbine hall, which is now renowned for its captivating site-specific installations. Olafur Eliasson’s 2003 Weather Project comes to mind.

Some memorable experiences at this museum: the dimly lit room with Mark Rothko paintings that forced me to sit and contemplate for 15 minutes. Plus, a super interesting short film on how museum conservators preserved his works. Seeing a room full of Gerhard Richter’s abstract blur paintings. An international exhibit on pop art that, for once, did not center Andy Warhol. Jenny Holzer, Guerilla Girls, Sam Gilliam, Doris Salcedo…so many great women artists and artists of color displayed. The Tate Modern is also where I saw El Anatsui’s and Lygia Pape’s work for the first time.

Installation view of the EY Exhibition: The World Goes Pop, Tate Modern. Front: Teresa Burga, *Cubes*. Image credit: © Galerie Barbara Thumm

The general organization of the museum is great, as it it sectioned by themes that encourage viewers to confront their ideas about art. Some galleries focus on cultural and societal context, some on material and form, and some on process and concept. The exhibitions put on by the museum are diverse, engaging, and relevant. For example, the Tate Modern exhibited Soul of a Nation: Art in the Age of Black Power, which later came to the United States via the Brooklyn Museum.